The play is having a 20 year revival since it reopened in December 2016. The play was first (and last) in London opened in October 1996 and was hugely successful, so much so, that its endurance began to draw comparisons with The Mousetrap (for continued performances). However the run eventually came to an end in 2004, having provided a platform for many actors and comedians, with the cast changing multiple times. I cannot recall quite when I saw the play first, but let’s just say it was some while ago and whilst it has not changed, I certainly have.
A friendship of types
The play is about three friends, whose reaction to an expensive, bare, exposed, white, not quite “blank canvas” painting, that Serge buys, in turn reveals the bare-bones and home truths about their relationships. It is a fascinating, often hilarious, exploration of friendship, class, taste and identity. Everyone probably resonates more with a particular character and at various points in the play, I imagine that its possible to identify those in the audience most like the characters by their reactions at key moments, right from the very first scene. Yet despite the genuine discomfort the audience is taken on a journey to resolution.
How people talk about money
Most relationships have a degree of complexity, but what Reza notices most obviously is the way relationships are altered by money. Had the price of the painting been a few pounds, it is unlikely that the subsequent heated exchanges would have occurred. Whilst clearly we have all have friends for a reason, it is unlikely that a friend is a sensible choice for advice when it comes to matters of money. Impartiality and professionalism of course apply to many aspects of “advice” that we all seek from time to time, but financial advice, is rarely, probably never, best discussed with friends around your table of choice.
Time is short
Art is currently showing at The Old Vic in London, until 18 February 2017; starring Rufus Sewell (Serge), Paul Ritter (Mark) and Tim Key (Yvan).
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